ESSAYS + HYBRIDS
- Between landscape and dance: Soil horizons in Sam Williams's 'Wormshine.' Commissioned on the occasion of the exhibition 'Soil: The World at our Feet' at Somerset House, London.
- Boll: Curating Affective Knowledges in/as Performance. Expanded Practice and Curation as Creative Process, REPERTÓRIO: Teatro & Dança, Brazil.
- Cataracting as Perceptual Technique or Notes on Living a lossy ecology. Response to the work of Louisa Martin, in Lossy Ecology, edited by Louisa Martin. Flat Time House.
- Attention as a Tension: Affective experience between performer and audience in the live encounter. Experiencing Liveness in Contemporary Performance. Routledge.
- The Fjord and the Groin. Sound Gender Feminism Activism. CriSAP, University of the Arts London.
- The Choreography of Anticipation in Maria Hassabi's Premiere. The Drama Review. MIT Press.
- Re-thinking Stillness: Empathetic Experiences of Stillness in Performance and Sculpture. Kinesthetic Empathy in Creative and Cultural Practices. Intellect.
- Performance Art in the City of York. co-authored with Nathan Walker, Oui Performance Papers, Issue One. Oui Performance Press.
- The Sound of a Somatic Letter. Queer Feminist Reader. INVASORIX. Mexico.
- Beneath the Surface of the Event: Imminent movement and the politics of affective registers. Choreographic Practices. Intellect.
- Berthing Bone: A Poem. Journal of Choreographic Practice. Intellect.
- Loop: Corporeal and Conceptual Reflection on a six-hour performance. Journal of Dance & Somatic Practice. Intellect.
- Nice Lad Broke Rose. Total Art Journal. Canada.
- Unrooting: Writing Choreography in the Open. Writing the Space Symposium, Wild Pansy Press, Leeds.
- Seven Somatic-Sound-Thought Fragments. Devotion Symposium, Dance City, Newcastle Upon Tyne. Curated by Roberta Jean.
- Shadows + Refractions from 'An Inventory of Shimmers'. Reading / Feeling. If I Can't Dance, I Don't Want to be Part of Your Revolution, Idea Books, Amsterdam.
- You Want to Know About Specific Actions and Postures. Live re-call of Ballast with Denys Blacker & Uma Bunnag. Ballast Study Guide. Arts Council England & LADA.
- The Vagina has Teeth: Myth, Concatenation & EVP. A review commissioned by Mercy (Liverpool) on the occasion of 'Electronic Voice Phenomena' at The Glasshouse International Centre for Music.
- Notes on Apparitions and Returning. Notes on a Return Symposium, Laing Art Gallery, Newcastle Upon Tyne. Coauthored with Nathan Walker.
- Beyond Necessity: Can we save performance, or can performance save itself? Bellyflop Magazine, London, edited by Louisa Mocchia.
INTERVIEWS