I publish peer-reviewed academic articles, and am commissioned to write critical-creative responses to other artists’ works in performance and exhibition contexts.

Below is a cross-section of my expanded writing practice.

If you would like to commission a new piece of writing in response to your work, please email me

Writing

• 2017. Boll: Curating Affective Knowledges in/as Performance. Expanded Practice and Curation as Creative Process, REPERTÓRIO: Teatro & Dança, Brazil.
• 2017. Cataracting as Perceptual Technique or Notes on Living a lossy ecology. Response to the work of Louisa Martin, in Lossy Ecology, edited by Louisa Martin. Flat Time House.
• 2016. Attention as a Tension: Affective experience between performer and audience in the live encounter. Experiencing Liveness in Contemporary Performance. Routledge.
• 2016. The Fjord and the Groin. Sound Gender Feminism Activism. CriSAP, University of the Arts London.
• 2015. The Choreography of Anticipation in Maria Hassabi's Premiere. The Drama Review. MIT Press.
• 2015. I Feel Like Moving Right Away! Victoria Gray in conversation with Simone Forti. LA.
• 2015. Performance Art in the City of York. co-authored with Nathan Walker, Oui Performance Papers, Issue One. Oui Performance Press.
• 2015. The Sound of a Somatic Letter. Queer Feminist Reader. INVASORIX. Mexico
• 2013. Beneath the Surface of the Event: Imminent movement and the politics of affective registers. Choreographic Practices. Intellect.
• 2013. The Vagina has Teeth: Myth, Concatenation and EVP. Electronic Voice Phenomena, Mercy. Liverpool.
• 2012. Nice Lad Broke Rose. Total Art Journal. Canada.
• 2011. Spectres of Spectacle: Victoria Gray in conversation with Nathan Jones. Mercy, Liverpool.