victoria gray | Writing

I publish peer-reviewed academic articles, and am commissioned to write critical-creative responses to other artists’ works in performance and exhibition contexts.

Below is a cross-section of my expanded writing practice.

For a full bibliography, see the link to my C.V. Please contact me if you would like access to a text that is not included below.

If you would like to commission a new piece of writing in response to your work, please email me

Writing

1. Boll: Curating Affective Knowledges in/as Performance. Expanded Practice and Curation as Creative Process, REPERTÓRIO: Teatro & Dança, Brazil.
1. Cataracting as Perceptual Technique or Notes on Living a lossy ecology. Response to the work of Louisa Martin, in Lossy Ecology, edited by Louisa Martin. Flat Time House.
1. Attention as a Tension: Affective experience between performer and audience in the live encounter. Experiencing Liveness in Contemporary Performance. Routledge.
1. The Fjord and the Groin. Sound Gender Feminism Activism. CriSAP, University of the Arts London.
1. The Choreography of Anticipation in Maria Hassabi's Premiere. The Drama Review. MIT Press.
1. I Feel Like Moving Right Away! Victoria Gray in conversation with Simone Forti. LA.
1. Performance Art in the City of York. Oui Performance Papers, Issue One. Oui Performance Press.
1. The Sound of a Somatic Letter. Queer Feminist Reader. INVASORIX. Mexico
1. Beneath the Surface of the Event: Imminent movement and the politics of affective registers. Choreographic Practices. Intellect.
1. The Vagina has Teeth: Myth, Concatenation and EVP. Electronic Voice Phenomena, Mercy. Liverpool.
1. Performance Economies: A ]performance space[ public programme report. London, UK, published by Living Gallery, Poland.
1. Nice Lad Broke Rose. Total Art Journal. Canada.
1. Spectres of Spectacle: Victoria Gray in conversation with Nathan Jones. Mercy, Liverpool.